Anacronismo ético. Historia, espacio-tiempo e imagen en el pensamiento de Didi-Huberman y Benjamin
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Fecha
2019-12
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Profesor/a Guía
Facultad/escuela
Idioma
es
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Universidad Andrés Bello
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Licencia CC
Licencia CC
Resumen
Tomando como pretexto una de las sentencias de Heráclito
de Éfeso, el ensayo pretende problematizar el vínculo entre la
ética y la historia, esto al incrustar en la disyunción entre tales
nociones el concepto de anacronismo. La introducción del
concepto de anacronismo insta a remitirnos a dos pensadores
que diferencialmente pensaron y cartografiaron este paisaje
aporético: Walter Benjamin y Georges Didi-Huberman. En este
sentido, a lo largo del escrito caminaremos junto a las figuras
conceptuales, que tanto Benjamin como Didi-Huberman crean
(el hombre del rosario entre los dedos, el hombre del burdel, las luciérnagas, el aura, entre otras), con el fin de posicionarnos ante
el problema de las imágenes-dialécticas, y con esto dar cuenta
de los horizontes éticos-históricos que se juegan en la noción
de anacronismo ético.
Using as an excuse one of the sentences elaborated by Heraclitus of Ephesus, the essay problematizes the link between ethics and history; this by implanting in the disjunction between such notions, the concept of anachronism. The introduction of the concept of anachronism urges to refer to two thinkers who differentially thoughted and mapped this aporetic landscape: Walter Benjamin and Georges Didi-Huberman. In this sense, throughout the paragraphs, we will walk alongside the conceptual characters that Benjamin and Didi-Huberman craft (the man with the rosary between his fingers, the man in the brothel, the man of beliefs, the ragpicker, the splinters, among others), in order to position ourselves in that problem that implicates the structure of the dialectical images, and with this, we will think in the ethical-historical horizons that are at stake in the notion of ethical anachronism.
Using as an excuse one of the sentences elaborated by Heraclitus of Ephesus, the essay problematizes the link between ethics and history; this by implanting in the disjunction between such notions, the concept of anachronism. The introduction of the concept of anachronism urges to refer to two thinkers who differentially thoughted and mapped this aporetic landscape: Walter Benjamin and Georges Didi-Huberman. In this sense, throughout the paragraphs, we will walk alongside the conceptual characters that Benjamin and Didi-Huberman craft (the man with the rosary between his fingers, the man in the brothel, the man of beliefs, the ragpicker, the splinters, among others), in order to position ourselves in that problem that implicates the structure of the dialectical images, and with this, we will think in the ethical-historical horizons that are at stake in the notion of ethical anachronism.
Notas
Indexación: Revista UNAB.
Palabras clave
Anacronismo, Imagen Dialéctica, Etica, Historia
Citación
Revista de Humanidades Nº40 (julio-diciembre 2019): 151-177