Independencia, autogestión, literatura y realidad en la revista chilena La Calabaza del Diablo (1998-2004)
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Archivos
Fecha
2019-06
Autores
Profesor/a Guía
Facultad/escuela
Idioma
es
Título de la revista
ISSN de la revista
Título del volumen
Editor
Universidad Andrés Bello
Nombre de Curso
Licencia CC
Licencia CC
Resumen
La revista cultural chilena La Calabaza del Diablo (1998-
2004) evidencia la práctica de un proyecto cultural múltiple,
alternativo y autogestionado que reunió a un grupo de jóvenes
poetas, periodistas y artistas que no encontraba espacio en
la institucionalidad cultural de la transición. Esta revista, a
través de la crítica literaria y cultural, se transformó en un
espacio de conexión con la realidad nacional del momento y visibilizó uno de los géneros más eclipsados durante los años
noventa: la poesía.
This article reviews the Chilean cultural magazine La Calabaza del Diablo (1998-2004) with the objective of demonstrating how its appearance gave rise to the implementation of an alternative, multi-thronged cultural project with a do-it-yourself attitude that brought together a group of young poets, journalists and artists who hadn’t found a place for themselves in the frameworks granted by existing cultural institutions of the Chilean postdictatorship period. I maintain that this magazine, through the literary and cultural criticism, turned into a space to establish connections with the national situation of the moment to make visible one of the most eclipsed genres during the nineties: poetry
This article reviews the Chilean cultural magazine La Calabaza del Diablo (1998-2004) with the objective of demonstrating how its appearance gave rise to the implementation of an alternative, multi-thronged cultural project with a do-it-yourself attitude that brought together a group of young poets, journalists and artists who hadn’t found a place for themselves in the frameworks granted by existing cultural institutions of the Chilean postdictatorship period. I maintain that this magazine, through the literary and cultural criticism, turned into a space to establish connections with the national situation of the moment to make visible one of the most eclipsed genres during the nineties: poetry
Notas
Indexación: Revista UNAB.
Palabras clave
Revista La Calabaza del Diablo, Crítica literaria, Edición independiente en Chile, Autogestión cultural
Citación
Revista de Humanidades Nº39 (enero-junio 2019): 235-265