Una coexistencia rítmica para las duraciones (entre Bergson y Deleuze)
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2017-06
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es
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Universidade Estadual Paulista (UNESP)
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https://creativecommons.org/licenses/by/4.0/deed.es
Resumen
La intención del presente artículo es reexaminar el concepto bergsoniano de Duración entendido como coexistencia de niveles de multiplicidad heterogéneos. Si bien dicho concepto ha sido pensado a partir de una comprensión que podría ser caracterizada como continuista, el mismo Bergson evitará confundir dicha continuidad con la idea de homogeneidad. Intentaremos mostrar que la determinación del concepto de Duración se alcanza al definirla como tensión o entrelazamiento entre sucesión y simultaneidad, y por consiguiente, como una multiplicidad que hace coexistir diferentes flujos de duración. Para ello, Bergson propone la existencia de un Tiempo impersonal y único como base para la relación entre duraciones. Nuestra hipótesis es que esta misma situación puede entenderse mejor si se articula el concepto de ritmo en la obra de Deleuze, concepto ligado íntimamente a las nociones de duración y coexistencia. Mediante los movimientos de contracción, dilatación, reunión y división, el ritmo opera junto a las duraciones disponiéndose como un campo de relación, pudiendo ocupar el lugar que había sido asignado al Tiempo
The aim of this paper is to reevaluate the Bergsonian concept of durée, understood as a coexistence of heterogeneous levels of multiplicity. Although this concept has been thought of from a point of view that could be characterized as "continuist", Bergson himself avoids confusing this continuity with the idea of homogeneity. We will try to show that the determination of the concept of durée is reached by defining it as a tension or interlacement between succession and simultaneity, and therefore as a multiplicity based on the coexistence of different flows of duration. Bergson proposes the existence of an impersonal and unique time as the basis for the relationship between durations. Our proposal is that this same situation can be better understood through the concept of rhythm as articulated in Deleuze's work, a concept closely linked to the notions of Durée and coexistence. Through the movements of contraction, dilation, reunion, and division, rhythm operates along with the available durations as a field of relation, being able to occupy the place that had been assigned to unique time.
The aim of this paper is to reevaluate the Bergsonian concept of durée, understood as a coexistence of heterogeneous levels of multiplicity. Although this concept has been thought of from a point of view that could be characterized as "continuist", Bergson himself avoids confusing this continuity with the idea of homogeneity. We will try to show that the determination of the concept of durée is reached by defining it as a tension or interlacement between succession and simultaneity, and therefore as a multiplicity based on the coexistence of different flows of duration. Bergson proposes the existence of an impersonal and unique time as the basis for the relationship between durations. Our proposal is that this same situation can be better understood through the concept of rhythm as articulated in Deleuze's work, a concept closely linked to the notions of Durée and coexistence. Through the movements of contraction, dilation, reunion, and division, rhythm operates along with the available durations as a field of relation, being able to occupy the place that had been assigned to unique time.
Notas
Indexación: Scopus; Scielo.
Palabras clave
Duración, Bergson, Deleuze, Coexistencia, Ritmo, Simultaneidad
Citación
Trans/Form/Ação vol.40 no.2 Marília abr./jun. 2017