Un cine más-que-humano: el documental visages villages y el largometraje medianeras
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Fecha
2023-12
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Profesor/a Guía
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es
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Universidad Andrés Bello
Nombre de Curso
Licencia CC
Licencia CC
Resumen
Este artículo propone un análisis comparado de dos obras cinematográficas: el documental francés Visages Villages (2017), codirigido por Agnès Varda junto al fotógrafo JR y el largometraje Medianeras (2011), del director argentino Gustavo Taretto.
El escrito plantea la hipótesis de que ambos filmes registran y relatan, por medios audiovisuales, historias en las que lo humano pierde su preeminencia sobre otras agencias. Esto no ocurriría solo a nivel narrativo, sino también a nivel de las materialidades del filme y del documental, entendidos como tecnologías de la imagen. Al presentar encuentros humanos y más-que-humanos y al explorar la vitalidad de lo inorgánico, los filmes evidencian la presencia de cuerpos coactantes, de afectos imperceptibles y de fuerzas expresivas que emergen del rodaje como proceso relacional.
This article analyzes from a comparative perspective two cinematographic productions: the French documentary Visages Villages (2017) co-directed by Agnès Varda and photographer JR, and the feature film Medianeras (2011) by Argentinian director Gustavo Taretto. The paper suggests that both films record and narrate, through audiovisual means, stories in which human agency loses its pre-eminence over other agencies. This happens not only as a theme at a narrative level, but also at the level of the materialities of both film and the documentary, understood as technologies of the image. By presenting human and more-than-human encounters and by exploring the vitality of the inorganic, these films show the presence of coactant bodies, imperceptible affects and expressive forces that arise from filming as a relational process.
This article analyzes from a comparative perspective two cinematographic productions: the French documentary Visages Villages (2017) co-directed by Agnès Varda and photographer JR, and the feature film Medianeras (2011) by Argentinian director Gustavo Taretto. The paper suggests that both films record and narrate, through audiovisual means, stories in which human agency loses its pre-eminence over other agencies. This happens not only as a theme at a narrative level, but also at the level of the materialities of both film and the documentary, understood as technologies of the image. By presenting human and more-than-human encounters and by exploring the vitality of the inorganic, these films show the presence of coactant bodies, imperceptible affects and expressive forces that arise from filming as a relational process.
Notas
Indexación: Revista UNAB.
Palabras clave
Materialidad, Cine contemporáneo, Documental, Afectos, Materiality, Contemporary cinema, Documentary, Affects
Citación
Revista de Humanidades Nº 48: 343-372
DOI
https://doi.org/10.53382/issn.2452-445X.738