ConfiguraciĆ³n y representaciĆ³n del espacio en La tempestad de William Shakespeare
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2020-06
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es
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Universidad AndrƩs Bello
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Resumen
En su oficio de dramaturgo, William Shakespeare trabajĆ³
frecuentemente con la nociĆ³n de espacio, pero ĀæcĆ³mo logrĆ³
configurarlo y representarlo en el escenario vacĆo de El Globo,
en la corte, o en la sala privada de Blackfriars? ĀæCĆ³mo creĆ³ ese
sentido de espacio y de lugar en un texto con escasas acotaciones?
Tomando como caso de estudio La tempestad, analizarƩ el modo en
que Shakespeare comunica el sentido de espacio sobre el escenario
y a lo largo del texto para argumentar que la configuraciĆ³n shakespeariana de este no obedece solo a convenciones dramĆ”ticas
de la Ć©poca isabelina, sino al uso de un lenguaje visual y sensorial
puesto en movimiento por los actores, y a las condiciones de
representaciĆ³n de los teatros londinenses; especĆficamente, a la
performatividad y flexibilidad del espacio vacĆo.
In his profession of playwright, William Shakespeare frequently worked with the notion of space, but how did he manage to configure and represent it on the empty stage of the Globe theatre, at court, or at the Blackfriars private playhouse? How did he create that sense of space and place in a script with very few stage directions? Taking The Tempest as a case study, I will analyze the way in which Shakespeare communicates the sense of space onstage and throughout the script, to argue that his configuration does not only obey to the dramatic conventions of the Elizabethan era, but to the use of visual and sensory language set in motion by the actors, and the conditions of representation of the London theatres; specifically, to the performativity and flexibility of the empty space.
In his profession of playwright, William Shakespeare frequently worked with the notion of space, but how did he manage to configure and represent it on the empty stage of the Globe theatre, at court, or at the Blackfriars private playhouse? How did he create that sense of space and place in a script with very few stage directions? Taking The Tempest as a case study, I will analyze the way in which Shakespeare communicates the sense of space onstage and throughout the script, to argue that his configuration does not only obey to the dramatic conventions of the Elizabethan era, but to the use of visual and sensory language set in motion by the actors, and the conditions of representation of the London theatres; specifically, to the performativity and flexibility of the empty space.
Notas
IndexaciĆ³n: Revista UNAB.
Palabras clave
Shakespeare, La tempestad, Espacio, Condiciones de representaciĆ³n, Escenario vacĆo y fluido
CitaciĆ³n
REVISTA DE HUMANIDADES NĀŗ 41 (ENERO-JUNIO 2020): 11-35