BLANCHOT Y LA CRÍTICA NEGATIVA: ACERCAMIENTOS A SADE Y LAUTRÉAMONT
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Fecha
2012
Autores
Profesor/a Guía
Facultad/escuela
Idioma
es
Título de la revista
ISSN de la revista
Título del volumen
Editor
Universidad Andrés Bello
Nombre de Curso
Licencia CC
Licencia CC
Resumen
El presente trabajo analiza de qué modo la crítica literaria, en el
caso del ensayista francés Maurice Blanchot, ha producido una
modificación sustancial en cuanto a nociones tales como juicio,
experiencia y creación. Teniendo en cuenta que para Blanchot la
literatura como tal se justifica en su destino negativo, es que podemos
observar que la crítica, como escritura y como experiencia,
como superación del juicio y como creación en sí misma, es
antes que una mirada objetiva del objeto literario un deseo de
escritura que transgrede todo límite. Así nuestro trabajo analiza
en los ensayos sobre Sade y Lautréamont —publicados en
1947— de qué manera una experiencia política del mal y una experiencia poética del poder de lo imaginario en la literatura le
permiten a la crítica dejar de lado el juicio y volverse experiencia
de escritura.
This paper analyzes how, in the case of French essayist Maurice Blanchot, literary criticism has produced a substantial change of notions such as judgment, experience and creation. Given that for Blanchot literature as such is justified in its negative fate that leads it to disappear, we can observe that criticism, as writing, as experience, as the overcoming of judgment and as creation itself, is —more than an objective view of the literary object— foremost a desire of writing that transgresses all boundaries. Thus our work discusses, using Blanchot’s essays on Sade and Lautréamont, published in 1947, how a political experience of evil and a poetic experience of the power of imagination in literature allow criticism to drop aside judgment, to become experience of writing.
This paper analyzes how, in the case of French essayist Maurice Blanchot, literary criticism has produced a substantial change of notions such as judgment, experience and creation. Given that for Blanchot literature as such is justified in its negative fate that leads it to disappear, we can observe that criticism, as writing, as experience, as the overcoming of judgment and as creation itself, is —more than an objective view of the literary object— foremost a desire of writing that transgresses all boundaries. Thus our work discusses, using Blanchot’s essays on Sade and Lautréamont, published in 1947, how a political experience of evil and a poetic experience of the power of imagination in literature allow criticism to drop aside judgment, to become experience of writing.
Notas
Indexación: Revista UNAB
Palabras clave
Subjetividad, Estética, Crítica, Experiencia, Juicio
Citación
Revista de Humanidades No. 25 (JUNIO 2012): 71-96