How to write things: fiction, anthropology and foreignness in Berlin

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dc.contributor.authorMartínez, Francisco
dc.date.accessioned2024-05-24T20:15:14Z
dc.date.available2024-05-24T20:15:14Z
dc.date.issued2023
dc.descriptionIndexación: Scopus.
dc.description.abstractWhy can the anthropologist be a writer but not an author? This essay reflects on the possibility of conveying anthropological knowledge through creative writing while reconsidering ethnographical authorship and its audience. The research material is a fiction written by myself to evoke a particular structure of feeling bound to a specific location, contemporary Berlin. The story is not told, however, from the perspective of an ethnographer who masters expert knowledge, but from the partial view of a protagonist that appears as a lost, hopeless, and vulnerable figure. This anthropological fiction invites us to reconsider the boundary between academic knowledge production and creative writing, rising along questions about evidence, representation and how our research could reach a general audience. © 2023 The Author(s).
dc.description.urihttps://www.berghahnjournals.com/view/journals/ethnologia-europaea/53/1/ee530101.xml
dc.identifier.citationEthnologia Europaea. Volume 53, Issue 1. 2023
dc.identifier.doi10.16995/ee.9032
dc.identifier.issn0425-4597
dc.identifier.urihttps://repositorio.unab.cl/handle/ria/57056
dc.language.isoen
dc.publisherOpen Library of Humanities
dc.rights.licenseCC BY-NC-ND 4.0 DEED Attribution-NonCommercial-NoDerivs 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectCreative writing
dc.subjectAnthropologist
dc.subjectConveying Anthropological
dc.subjectFiction Written
dc.subjectBerlin
dc.titleHow to write things: fiction, anthropology and foreignness in Berlin
dc.typeArtículo
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