Mecanismo fonatorios y estrategias resonanciales en cantante de Rock pesado
No hay miniatura disponible
Archivos
Fecha
2011
Profesor/a Guía
Facultad/escuela
Idioma
es
Título de la revista
ISSN de la revista
Título del volumen
Editor
Universidad Andrés Bello
Nombre de Curso
Licencia CC
Licencia CC
Resumen
Las técnicas Growl voice (voz de gruñido) y Falsete reforzado son
conceptos poco estudiados tanto a nivel nacional como internacional. Esto, por lo
tanto genera un gran desconocimiento por parte de todos aquellos interesados en
profundizar más en aquellas tendencias del rock pesado que utilizan como técnica
las antes mencionadas.
El presente estudio busca determinar y describir las características
fisiológicas y de producción generadas durante la realización de las técnicas de
Growl voice (voz de gruñido) y Falsete reforzado en un grupo de cantantes de rock
pesado.
Participaron en el estudio veintiún cantantes de rock pesado, diecinueve
hombres y dos mujeres. Todos fueron sometidos voluntariamente a la realización
de toma de muestras acústicas, imagenológicas, y aplicación de protocolos de
evaluación vocal. El procedimiento de obtención de datos se realizó mediante la
encuesta de Índice de Incapacidad Vocal para el Canto y la Ficha Fonoaudiológica
de Evaluación Vocal. Posteriormente se aplicó la medición de parámetros vocales
de la voz cantada y hablada a cada sujeto como parte de la toma de muestras
acústicas realizando distintas actividades vocales con y sin la producción de las
técnicas antes mencionadas, además de una valoración laringoscópica con la
realización de tareas fonatorias generales para todos los participantes.
El análisis de los datos de evaluación en ambas técnicas muestra que
ninguna de ellas está directamente relacionada con un daño orgánico a nivel
laríngeo, reflejándose tanto en la evaluación imagenológica, en la evaluación
vocal, en el análisis acústico de la voz de los participantes y en la valoración de la
percepción de su propia voz.
Growl voice and reinforced falsetto are few studied vocal resources both nationally and internationally. Therefore, it has lead to unawareness from all those who are interested in deepen in those rock tendencies which vocal resources are the above mentioned. The aim of the present study is to determine and describe the physiological and production characteristics generated during the Growl voice and Reinforced falsetto production in a group of hard rock singers. Twenty one hard rock singers participated in this study, nineteen men and two women. They all voluntarily underwent acoustic and imaging samples, and the application of a voice assessment protocol. The data obtaining procedure was completed through the Singing Voice Handicap lndex instrument and the Voice Assessment File. The vocal parameters measurements of singing and spoken voice were later obtained as a part of the acoustic samples through the performance of different vocal activities with and without the production of the above mentioned techniques, additionally to a laryngoscopic evaluation during which general phonatory tasks were produced. The assessment data analysis in both vocal resources shows that neither of them is directly related to laryngeal organic injury, which was reflected in the imaging assessment, the voice assessment, the participants' voice acoustic analysis and their own valuation of their voice perception.
Growl voice and reinforced falsetto are few studied vocal resources both nationally and internationally. Therefore, it has lead to unawareness from all those who are interested in deepen in those rock tendencies which vocal resources are the above mentioned. The aim of the present study is to determine and describe the physiological and production characteristics generated during the Growl voice and Reinforced falsetto production in a group of hard rock singers. Twenty one hard rock singers participated in this study, nineteen men and two women. They all voluntarily underwent acoustic and imaging samples, and the application of a voice assessment protocol. The data obtaining procedure was completed through the Singing Voice Handicap lndex instrument and the Voice Assessment File. The vocal parameters measurements of singing and spoken voice were later obtained as a part of the acoustic samples through the performance of different vocal activities with and without the production of the above mentioned techniques, additionally to a laryngoscopic evaluation during which general phonatory tasks were produced. The assessment data analysis in both vocal resources shows that neither of them is directly related to laryngeal organic injury, which was reflected in the imaging assessment, the voice assessment, the participants' voice acoustic analysis and their own valuation of their voice perception.
Notas
Tesis (Fonoaudiología)
Palabras clave
Entrenamiento de la Voz, Músicos de Rock