Globalización, anacronismos y discurso discrepante en Marcelo Mellado
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Fecha
2020-12
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es
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Universidad Andrés Bello
Nombre de Curso
Licencia CC
Licencia CC
Resumen
Propongo considerar algunos cuentos del libro Armas arrojadizas
de Marcelo Mellado en un conjunto de ficciones recientes que se
vuelcan hacia los márgenes transurbanos, restituyendo residuo
y anacronía como piezas capitales de una distopía del presente.
La narrativa del autor chileno interroga las implicaciones de
una escritura concebida como trabajo con residuos: los residuos
materiales del espacio urbano, pero también los residuos de
subjetividades y de proyectos, así como los residuos discursivos
del informe burocrático y del lenguaje político. La devastación que registra Mellado es material y ética, pero también imaginativa
y discursiva. Bajo este sino, los cuentos insisten en un lenguaje
incompetente, desvitalizado y cuyo significado revive brevemente
en la rabia y en la orfandad satírica. En suma, los cuentos de
Mellado rediseñan la experiencia de la degradación de las esferas
públicas y la (im)posibilidad del arte en la disputa política.
I suggest consider Marcelo Mellado’s work, typically some novels from his book Armas arrojadizas, as a part of a recent fictions set that are focused on transurban margins, reflecting debris and anachronism as capital parts of a dystopia of the present. The narrative of the Chilean author queries the consequences of a writing designed as a work with debris: urban space’s material rubbish, but also projects and subjectivities rubbish, as well as discursive residues of the political language as well as the bureaucratic report styles. Typically, the devastation that Mellado registers is material and ethic, but also imaginative and discursive. On this way, the novels insist in an incompetent and devitalized language which sense briefly revives in the rage and the satiric orphanhood. In summary, Mellado’s novels redesign the experience of the public spheres degradation as well as the (im) possibility of the art in the course of the political rivalry.
I suggest consider Marcelo Mellado’s work, typically some novels from his book Armas arrojadizas, as a part of a recent fictions set that are focused on transurban margins, reflecting debris and anachronism as capital parts of a dystopia of the present. The narrative of the Chilean author queries the consequences of a writing designed as a work with debris: urban space’s material rubbish, but also projects and subjectivities rubbish, as well as discursive residues of the political language as well as the bureaucratic report styles. Typically, the devastation that Mellado registers is material and ethic, but also imaginative and discursive. On this way, the novels insist in an incompetent and devitalized language which sense briefly revives in the rage and the satiric orphanhood. In summary, Mellado’s novels redesign the experience of the public spheres degradation as well as the (im) possibility of the art in the course of the political rivalry.
Notas
Indexación: Revista UNAB.
Palabras clave
Marcelo Mellado, Distopías, Materialidades
Citación
Revista de Humanidades Nº42 (julio-diciembre 2020): 287-304