“Quizás todo lo que digo es una tontera”: Janosch y el nonsense
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2024-12
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es
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Universidad Andrés Bello
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Resumen
En este artículo analizamos la obra del escritor alemán infantiljuvenil Janosch, centrándonos en las características que lo sitúan en la corriente del nonsense. Nos guiarán las siguientes preguntas: ¿cómo se manifiesta concretamente el nonsense en el trabajo escritural de Janosch? ¿Qué nuevos sentidos se vislumbran a partir de sus transgresiones? Se reconocen y trabajan cuatro elementos: transgresiones en el lenguaje, situaciones absurdas, la relación con los objetos y obras estructuradas desde el absurdo. En cada punto se hace una lectura de los nuevos sentidos que el trabajo del nonsense de Janosch posibilita. Se analizan variados recursos tales como el epíteto, el juego entre uso literal y figurado, y la estructura de la retahíla como una lógica alternativa a la de causa-efecto, entre otros. Finalmente, se inserta la totalidad de los recursos en una interpretación global del nonsense. Aquí se enmarcan las estrategias analizadas en una resistencia contracultural y de búsqueda del placer. En las conclusiones se presenta una visión crítica del nonsense y sus posibilidades subversivas.
In this article we analyze the work of the German children’s and youth writer Janosch, focusing on the characteristics that place him within the nonsense movement. We will be guided by the following questions: How is nonsense specifically manifested in Janosch’s writing work? What new meanings are glimpsed from their transgressions? Four elements are recognized and worked on: transgressions in language, absurd situations, the relationship with objects and works structured from their very base from the absurd. At each point there is a reading of the new meanings that Janosch’s nonsense work makes possible. Various resources are analyzed such as the epithet, the play between literal and figurative use, the structure of the string as an alternative logic to cause-effect, among others. Finally, all the resources are inserted within a global interpretation of nonsense. Here the strategies analyzed are framed within a countercultural resistance and search for pleasure. The conclusions present a critical vision of nonsense and its subversive potential.
In this article we analyze the work of the German children’s and youth writer Janosch, focusing on the characteristics that place him within the nonsense movement. We will be guided by the following questions: How is nonsense specifically manifested in Janosch’s writing work? What new meanings are glimpsed from their transgressions? Four elements are recognized and worked on: transgressions in language, absurd situations, the relationship with objects and works structured from their very base from the absurd. At each point there is a reading of the new meanings that Janosch’s nonsense work makes possible. Various resources are analyzed such as the epithet, the play between literal and figurative use, the structure of the string as an alternative logic to cause-effect, among others. Finally, all the resources are inserted within a global interpretation of nonsense. Here the strategies analyzed are framed within a countercultural resistance and search for pleasure. The conclusions present a critical vision of nonsense and its subversive potential.
Notas
Indexación: Revista UNAB.
Palabras clave
Janosch, Literatura infantil, Nonsense, Malestar de la cultura, Absurdo, Literature, Cultural Malaise, Absurdity
Citación
Revista de Humanidades Nº50 (julio-diciembre): 125-152
DOI
https://doi.org/10.53382/issn.2452-445X.829