Un debate sobre paisaje: un camino para su comprensiĆ³n en Marta Brunet y patricio Wacquez
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2014-06
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es
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Universidad AndrƩs Bello
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Licencia CC
Licencia CC
Resumen
Este trabajo revisa un debate teĆ³rico en torno al concepto de
paisaje. Siguiendo las ideas de la Naturphilosophie alemana y defendiendo una definiciĆ³n de paisaje como aventura, LĆ³pez
Silvestre cuestiona la propuesta de Alain Roger, para quien el
paisaje es el reconocimiento de imƔgenes culturales en la naturaleza
contempladas por un sujeto: no habrĆa una belleza natural,
sino tan solo invenciones culturales y el consecuente reconocimiento
de estas en la naturaleza. El artĆculo analiza las descripciones
paisajĆsticas en los relatos MontaƱa adentro (Marta Brunet)
y Frente a un hombre armado (Mauricio Wacquez) a la luz
de la discusiĆ³n mencionada. En tales autores chilenos, se aprecia
un extraƱamiento de la hacienda del Valle Central, dando lugar
a un paisaje visualizado como una aventura que altera las imƔgenes
pictĆ³ricas con las cuales se reconocĆa el orden tradicional.
The present article looks over a theoretical debate about the concept of landscape. Following the ideas of the German Naturphilosophie and defending a definition of landscape as an adventure, LĆ³pez Silvestre questions the proposal of Alain Roger, for whom landscape is the recognition of cultural images in nature that a subject contemplates: there would be no natural beauty, just cultural inventions and the recognition of them in nature. The article analyses the descriptions of landscapes in the novels MontaƱa adentro (Marta Brunet) and Frente a un hombre armado (Mauricio Wacquez) in the light of the discussion mentioned. In those Chilean authors we can appreciate an estrangement of the estate of the Central Valley, giving place to a landscape visualized as an adventure that alters the pictorial images with which were used to recognize the traditional order.
The present article looks over a theoretical debate about the concept of landscape. Following the ideas of the German Naturphilosophie and defending a definition of landscape as an adventure, LĆ³pez Silvestre questions the proposal of Alain Roger, for whom landscape is the recognition of cultural images in nature that a subject contemplates: there would be no natural beauty, just cultural inventions and the recognition of them in nature. The article analyses the descriptions of landscapes in the novels MontaƱa adentro (Marta Brunet) and Frente a un hombre armado (Mauricio Wacquez) in the light of the discussion mentioned. In those Chilean authors we can appreciate an estrangement of the estate of the Central Valley, giving place to a landscape visualized as an adventure that alters the pictorial images with which were used to recognize the traditional order.
Notas
IndexaciĆ³n: Revista UNAB
Palabras clave
Paisaje, Reconocimiento, ExtraƱamiento, Hacienda, NarraciĆ³n
CitaciĆ³n
Revista de Humanidades NĀŗ29 (ENERO-JUNIO 2014): 97-131