Santo del asesinato: entre la transformación y la reproducción en Todas esas muertes (1971) de Carlos Droguett
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2020-12
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es
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Universidad Andrés Bello
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Licencia CC
Licencia CC
Resumen
Este artículo se aproxima a la novela Todas esas muertes (1971) de
Carlos Droguett, desde el problema de la fantasía revolucionaria individual a partir del análisis del personaje Emilio Dubois. El
personaje criminal se construye sobre una fantasía estructurante
que escenifica subversión, pero que al mismo tiempo reproduce
ciertos parámetros de la ideología dominante como las estructuras
burguesas-patriarcales que Dubois replica con quienes considera
sujetos inferiores. El objetivo principal es comprender la
construcción del asesino justiciero como santo del asesinato, según
la descripción de la fantasía como mecanismo de simbolización
que vela la presencia de la ideología dominante en las acciones
del propio personaje.
This article discusses the novel Todas esas muertes (1971), by Carlos Droguett, addressing its representation of the problem of individual revolutionary action as a fantasy, focusing on the character Emilio Dubois. We state that the criminal character is constructed on the basis of a structuring fantasy that stages subversion, while reproducing, at the same time, key aspects of the dominant ideology, such as the bourgeois-patriarchal scheme which Dubois replicates in his relation to others, deemed inferior. The main goal of this essay is to interpret the fantasy in which is constructed the image of the killer as a social avenger, a saint of murder, understood as a mechanism of symbolization, that veils the presence of dominant ideology in the actions of the very same character.
This article discusses the novel Todas esas muertes (1971), by Carlos Droguett, addressing its representation of the problem of individual revolutionary action as a fantasy, focusing on the character Emilio Dubois. We state that the criminal character is constructed on the basis of a structuring fantasy that stages subversion, while reproducing, at the same time, key aspects of the dominant ideology, such as the bourgeois-patriarchal scheme which Dubois replicates in his relation to others, deemed inferior. The main goal of this essay is to interpret the fantasy in which is constructed the image of the killer as a social avenger, a saint of murder, understood as a mechanism of symbolization, that veils the presence of dominant ideology in the actions of the very same character.
Notas
Indexación: Revista UNAB.
Palabras clave
Criminalidad, Fantasía, Ideología, Novela Chilena, Carlos Droguett
Citación
Revista de Humanidades Nº42 (julio-diciembre 2020): 261-286