RuinaciĆ³n: Un proceso oculto a plena vista
Cargando...
Archivos
Fecha
2018
Autores
Profesor/a GuĆa
Facultad/escuela
Idioma
es
TĆtulo de la revista
ISSN de la revista
TĆtulo del volumen
Editor
Universidad Austral de Chile
Nombre de Curso
Licencia CC
Licencia CC
Resumen
Mucho Ć©nfasis se ha puesto en discutir las ruinas en su condiciĆ³n de sustantivo, como un escenario, resultado o producto cuya imagen presente contrasta con su forma pretĆ©rita. Tomando
un camino diferente, este artĆculo discute las particularidades de la ruina como parte del proceso inevitable de āruinaciĆ³nā, que afecta sin distinciĆ³n a todo el entorno construido, logrando, en Ćŗltima
instancia, que lo edificado pierda la organizaciĆ³n de sus partes, su funciĆ³n original y sus significados. Buscando ampliar el campo de sentido asociado a este concepto, se sugiere revisar las estrategias
clĆ”sicas de representaciĆ³n que favorecen su objetualizaciĆ³n, monumentalizaciĆ³n o estetizaciĆ³n, y promover representaciones que tengan por objeto la ruina como resultado siempre cambiante de un
proceso de permanente deterioro. Para ejemplificar este giro metodolĆ³gico y conceptual, se discute material producido por el proyecto Esto es Talca, iniciativa que busca capturar, en series fotogrĆ”ficas,
el avance del tiempo sobre el entorno construido
Much emphasis has been given to discussing ruins in their fundamental and independent nature, as a scenario, result or output whose image in the present is in contrast with its past shape. Taking a different route, this paper discusses the particular aspects of ruins as part of the inevitable āruinationā process which has an impact on the entire built environment without distinction, ultimately pushing buildings to lose the organization of their parts, original functions and meanings. Seeking to expand the field of meanings associated to this concept, a suggestion is made to review typical representation strategies that favor its objectification, monumentalizing or aestheticization, and to promote representations that conceive ruins as an ever changing result of endless decaying. As an example of this methodological and conceptual shift, the discussion focuses on the material resulting from the project This is Talca, which aims at capturing the course of time on the built environment with photographic series.
Much emphasis has been given to discussing ruins in their fundamental and independent nature, as a scenario, result or output whose image in the present is in contrast with its past shape. Taking a different route, this paper discusses the particular aspects of ruins as part of the inevitable āruinationā process which has an impact on the entire built environment without distinction, ultimately pushing buildings to lose the organization of their parts, original functions and meanings. Seeking to expand the field of meanings associated to this concept, a suggestion is made to review typical representation strategies that favor its objectification, monumentalizing or aestheticization, and to promote representations that conceive ruins as an ever changing result of endless decaying. As an example of this methodological and conceptual shift, the discussion focuses on the material resulting from the project This is Talca, which aims at capturing the course of time on the built environment with photographic series.
Notas
IndexaciĆ³n Scopus
Palabras clave
EmociĆ³n, GeografĆa Cultural, Trabajo de campo, Deterioro, FotografĆa urbana, Vida cotidiana, Ruina
CitaciĆ³n
AUS Issue 23, Pages 28 - 33 2018
DOI
10.4206/aus.2018.n23-05